So I learned from our superb community newspaper (The Good Life) that Dr Who was/is/will be wearing a top purchased at a shop right here in Maple Road, Surbiton. Apparently, there are also quite a few potholes in Rectory Close. And someone snapped a photograph (no face of course) of the sticker vigilante: a person who has been removing illegally placed signs and notices from pillar boxes and lampposts in town centre. I really do love The Good Life.
Photo Credit
Jodie Whittaker: Instagram
for family and friends who might be interested in our adventure
24 November 2018
17 September 2018
My Beloved, Standing Stones, & Real Ale
Added to that is the bonus of standing stones! Avebury is unusual because it is a village in the midst of a stone circle, well three stone circles, really. It is a very large circle that contains two smaller ones. There is not much left of the smaller circles, but there is a fair number of stones from the larger one still standing. And the henge is just stunning.
Nearby there is the largest prehistoric structure in Europe, Sidbury Hill, and a little further on, West Kennet Long Barrow. The remains were removed some time ago and it has been left open for us to go in. I am not pleased that the burial site was desecrated. But I could not resist stepping inside a structure built 5500 years ago. I beg the forgiveness of the ancestors of that land for my trespass. I tread with as much respect and reverence as I could muster,

And if that wasn't enough, I got to try two (new to me) Wiltshire ales: Avebury Well Water and Wadworth Amber.
Photo Credit
Me and a stone: My beloved
Avebury by air: English Heritage
Barrow interior: Wikimedia
13 August 2018
American Moor by Keith Hamilton Cobb
My beloved took me to see American Moor Sunday at the Sam Wanamaker Playhouse. It was such a powerful piece of theatre. My normal readership will have to indulge me, as it is unlikely that either of you have seen it yet. I want to write about it, but I can't explain it. This is really one of those you-had-to-be-there things. So instead of trying to describe it, I am going to pretend I'm writing to Keith Hamilton Cobb.
I hope that moment, when you were shouting to us, 'Do you see me? ... Do you see me?' never fades from my memory. It was all I could do to not tell you that I did. I did see you, and your beautiful, ugly, ever-changing, self-contradictory humanity, on display before us. Your writing and performance really seized me. I almost forgot it I was in a theatre. It was like I had a glimpse of your soul, and what our culture has done to it.
As soon as it was over, my first thought was: everyone needs to see this play. Only seconds passed before my thought was proven so utterly wrong, as I overheard a pensioner woman nearby explaining to someone else that maybe the director did not hire him because he was not a good actor. Wow, really? That is what you took away from watching incredibly vulnerable and remarkably nuanced inner thoughts about what it is like to experience racial prejudice? Really? Now, I understand why Reni Eddo-Lodge is no longer speaking to me about race.
And then, there was the 'question and answer' after the performance. I loved how you dangled the conversation around the edges of racial rabbit holes. It was just so great to hear honest and thoughtful conversation that approaches these issues in a communal space that actually hints at the depth of what we never talk about in the open. Just the possibility that we might one day go down one of those rabbit holes together is just... well, it is evolution, revolution, and epiphany all rolled up into one.
In the Q&A, I also learned that there is a version of the play where the director is a disembodied voice. That sounds like a real inside-your-head experience. I am not one to go to shows again but if I can see American Moor again with a disembodied director, I will be there. Profound stuff.
Photo Credits
Poster: American Moor

As soon as it was over, my first thought was: everyone needs to see this play. Only seconds passed before my thought was proven so utterly wrong, as I overheard a pensioner woman nearby explaining to someone else that maybe the director did not hire him because he was not a good actor. Wow, really? That is what you took away from watching incredibly vulnerable and remarkably nuanced inner thoughts about what it is like to experience racial prejudice? Really? Now, I understand why Reni Eddo-Lodge is no longer speaking to me about race.
And then, there was the 'question and answer' after the performance. I loved how you dangled the conversation around the edges of racial rabbit holes. It was just so great to hear honest and thoughtful conversation that approaches these issues in a communal space that actually hints at the depth of what we never talk about in the open. Just the possibility that we might one day go down one of those rabbit holes together is just... well, it is evolution, revolution, and epiphany all rolled up into one.
In the Q&A, I also learned that there is a version of the play where the director is a disembodied voice. That sounds like a real inside-your-head experience. I am not one to go to shows again but if I can see American Moor again with a disembodied director, I will be there. Profound stuff.
Photo Credits
Poster: American Moor
02 July 2018
Northern Ireland
Work sent me to Belfast, so I convinced my wife to come over and turn it into a mini break. I got to try potato bread and soda farl, which were delicious. Then we hired a car and drove to Giant's Causeway. According to Samuel Johnson: Worth seeing? Yes, but not worth going to see. We took the coastal route back and the countryside was so beautiful that it made our eyes tired. It reminds me of Yorkshire. Carrickfergus was closed when we got to it. We stayed in the Queens Quarter and there were loads of really friendly people.
Photo Credits:
Landlopers
Wikipedia
Photo Credits:
Landlopers
Wikipedia
10 June 2018
Armageddon is here
Me (surprisingly enough, in early spring)
03 June 2018
London planetree
Our road is lined with London planetrees. The wide trunks form two rows of columns along the roadside, adding a certain gravity to the neighbourhood. They were pollarded earlier in the year. The leaves are now just starting to come in. The little grouping of green at the tip of each branch reminds me of children's drawings of trees.
Photo Credit:
Pollarded London planetree: Me
The Children's Tree: YouTube animation

Photo Credit:
Pollarded London planetree: Me
The Children's Tree: YouTube animation

26 May 2018
Recent Resumption of the Mundane
Back in April we went to Whipsnade Zoo & Wildlife Conservation Park in Bedfordshire. Not sure what the animals to the left are, maybe wallabies? But they were looking pretty chill. In the giraffe house, there was an upper level you could go on to see them at eye level (below left).
In early May we visited Kew Botanical Gardens in Richmond. There's my beloved and I (below) on the Treetop Walkway with the newly reopened Temperate House behind us. The other picture is in the Bluebell Wood.
Last weekend, we went to Monkey World Ape & Monkey Sanctuary in Dorset. The woolly monkey (below) was part of a small family group that was foraging near the edge of the enclosure. The chimp (below) had climbed to the top of a telegraph pole to investigate his food puzzle box away from the others. Apparently, if a tree is included in the enclosure, they will uproot it, and lay it on the barrier, and climb out.
Photo Credits
My beloved
02 April 2018
Winchester Cathedral

A-cappella call-and-response of the sung liturgy wafted from everywhere and nowhere. A third of the way through, I was certain that the singing was getting ever so slightly louder and louder, until the processing, well-rehearsed choir materialised just to my left in the northern aisle, as their approach was obscured by the row of columns separating the aisle from the nave. A nearby 12th-century Tournai font drew my eyes to the light within shadow of a three-dimensional black marble relief of St Nicholas and the three daughters. Words of a deftly constructed sermons floated in the air under the weight of the ribbed vaulted ceiling.

Looking past suffering and imposing a tyranny of glory, meaning, and victory onto it adds more cruelty to already awful situations. I have eyes, and what they see is that suffering is usually just horrible. If I try to imagine myself standing with the followers of an itinerant holy man watching our leader gruesomely tortured and executed, in that moment, I am not contemplating some upcoming resurrection, glory, or hope. There is just despair, misery, and defeat. That is it. Such moments are overwhelming to witness. Sure, now, thousands of years later, we have the ease and luxury of connecting this day with the Resurrection. But that was not the view from that day: that day was just horrible.

Photo Credits
Tornai Font: Londinoupolis
Women at the Cross: History.com
Winchester Cathedral Nave: val's road
18 March 2018
American Burger Sauce


Photo Credits
Heinz: OpenFoodFacts.org
Hammonds: ThomasRidley.co.uk
25 February 2018
Back to the future


Photo Credits
Christmas tree: My beloved
All the rest: Letting agent





14 January 2018
Hamilton



Photo Credits
My Beloved
01 January 2018
Iceberg Lettuce

Photo Credit: quickcrop.ie
Subscribe to:
Posts (Atom)